Great Basin Rock Art: Archaeological Perspectives, Angus R. Quinlan, editor.
2007, University of Nevada Press, cloth, d/j
184 pages, 21 figures, 8 tables, references, index, 7" x 10"
- Integrating Rock Art with Archaeology: Symbolic Culture as Archaeology, Angus R. Quinlan
- Stories as Old as the Rocks: Rock Art and Myth, Melvin Brown and Alanah Woody
- The Mountain Maidu Homeland: Native and Anthropological Interpretaions of Cultural Identity, Helen Valborg and Farrell Cunningham
- Toward a Gender-Inclusive View of Rock Art in the Northern Great Basin, William J. Cannon and Alanah Woody
- Grinding Stone and Pecking Rock: Rock Art of the High Basins, Spanish Springs, Nevada, Signa W. Pendegraft
- A Regional Settlement System Approach to Petroglyphs: Application to the Owyhee Uplands, Southeastern Oregon, Myrtle P. Shock
- The Study of a Rock Art Site in Southeastern Oregon, Keo Boreson
- Contexts in the Analysis of Rock Art: Settlement and Rock Art in the Warner Valley Area. Oregon, William J. Cannon and Mary F. Ricks
- Petroglyph Dating in the Massacre Bench, Eric W. Ritter, Alanah Woody, and Alan Watchman
- Rock Art as an Artifact of Religion and Ritual: The Archaeological Construction of Rock Art's Past and Present Social Contexts, Angus R. Quinlan
From the book ...
Rock art is one of humankind’s most ancient forms of artistic expression, and one of its most enigmatic.
For centuries, scholars and other observers have struggled to interpret the meaning of the mysterious figures incised or painted on natural rocks and to understand their role in the lives of their long-vanished creators.
The Great Basin of the American West is especially rich in rock art, but until recently North American archaeologists have largely ignored these most visible monuments left by early Native Americans and have given little attention to the terrain surrounding them.
In Great Basin Rock Art, twelve respected rock art researchers examine a number of significant sites from the dual perspectives of settlement archaeology and contemporary Native American interpretations of the role of rock art in their cultural past.
The authors demonstrate how modern archaeological methodology and interpretations are providing a rich physical and cultural context for these ancient and hitherto puzzling artifacts.
They offer exciting new insights into the lives of North America’s first inhabitants.
This is essential reading for anyone interested in the petroglyphs of the American West and in the history of the Great Basin and its original peoples.
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